Archives for : BODY

Angela Bassett: Ageless Beauty

angela-bassett-feature-11_zps8f7838f2

Weight Training:The Perfect RX

10462551_10154288597485414_9206794309504528584_n

Niecey Nash: Body Talk!

10341869_10203475356341726_461037928267498757_n

Lupita Nyong’o: 2014 Cannes Debut

10177266_747700301916880_5148874212337651107_n

dress by Calvin Klein

Buffy The Body: Studying Aboard?

buffy

Positive Girl: Body Count

HIV-girl

 

A female student in Kenya has revealed that she has infected a total of 324 men with the Human Immunodeficiency Virus (HIV).

The HIV positive girl, who attends the Kabarak University in Nakuru, is said to have been infected by a man at a party.

The unidentified 19-year old is allegedly aiming to infect a total of 2000 men in revenge.

According to reports:

The girl allegedly contacted Kenyan Scandals on Facebook and claimed she had something to confess.

After she was assured her identity was going to be protected (the Kenyan Daily Post, however, published a picture from her Facebook profile along with the article) she wrote: “Sep 22nd 2013 is a day I’ll never forget, we went clubbing in town and got drunk with some senior students then went back hostels for party round 2″.

She then explained that when she woke up, the morning after, she realized a boy called Javan had had sex with her while she was drunk.

“I only asked if he used a condom and he said yes, however when taking bath I noticed sperms down there, I wanted to commit suicide, I feared getting pregnant and HIV.”

When she discovered she was HIV positive, the girl confronted Javan who insisted he was clean.

“I was so depressed and took alcohol to die, I even bought poison, the pain was just unbearable how was I gone face the world, I let my parents down, I gave up on the world and just wanted to end my life. My future had been ruined, somehow someone had to pay,” the girl said.

“I accepted my fate and promised to make all men I come across suffer, I know I’m attractive and men both married and unmarried chase me left right and Centre.

“I buried the good girl in me and became the bad girl, my goal was to infect as many as possible,” she explained.

The girl then confessed she had already infected 324 men, 156 of which are students at the Kabarak University where she studies, the rest are married men, lecturers, lawyers, celebrities and politicians.

“Not a day passes without me having sex, mostly 4 people per day,” she continued in her confession. “Your day is coming, you men destroyed my life and I will make you and your people pay for it”

by Tutu Akinlabi

Josephine Baker: Trend Setter!

1920478_10152256190474593_688521793_n

Fantasia: Ms. Fanny!

1932422_10152256595411153_2123029100_n

Johnson & Wahlberg: NO PAIN, NO GAIN!

71684_10152274604526532_1288287360_n

Fact: Dwayne The Rock Johnson and Mark combined for 17 meals a day while prepping for Pain & Gain.

Lil Kim: Mother Queen B!

10090_10151993967968983_651186340_n

Lil Kim is expecting her first child in the summer! cognates!

Homemade Whipped Coconut Oil Body Butter Recipe

SocialPosts_736x982_CoconutOil

What You Need 1 cup coconut oil — where to find coconut oil 1 teaspoon vitamin E oil (optional) — where to find vitamin E oil A few drops of your favorite essential oils for fragrance (optional) — where to find essential oils Click here for my favorite resources for high quality coconut oil, essential oils and more! What To Do 1. Put all ingredients into a mixing bowl. Note: Do not melt the coconut oil first. It will only whip up if it’s solid. 2. Mix on high speed with a wire whisk for 6-7 minutes or until whipped into a light, airy consistency. 3. Spoon the whipped coconut oil body butter into a glass jar and cover tightly.

 

Store at room temperature, or in the refrigerator if your house is so warm it melts the oil. Tip: An electric hand mixer will work, but my KitchenAid stand mixer did an amazing job and I was able to get other work done while it was mixing away. A blender or food processor will not work with this coconut oil recipe, because they tend to warm the oil too much and prevent it from whipping up. Note: Your whipped coconut oil should stay relatively soft, even at colder temperatures. If it’s really cold, it will become a little more solid, but not rock hard like it normally does. I noticed mine beaded into a froth of tiny coconut oil pearls that melt right into my skin. Love it! – See more at: http://villagegreennetwork.com/homemade-whipped-coconut-oil-body-butter-recipe.

Diana Ross: The Boss!

1604531_811468612202194_1636655838_n
Diana is a 1980 album by American R&B and soul singer Diana Ross, released by Motown. Her 11th studio album, was, and remains, the biggest-selling studio collection of Ross’ career. All songs are composed, played and produced by Chic member…s Nile Rodgers and Bernard Edwards.
Conception Following the U.S. success of 1979’s The Boss, Ross wanted a fresher, more modern sound. Having heard production team Bernard Edwards and Nile Rodgers of Chic’s work in the famous Manhattan disco club, Studio 54, Ross approached the two about creating a new album of material for her that stated where she felt she was in her life and career at the time. Initially, Ross was not pleased with the album’s results. Following a preview of the record to be released in the aftermath of the anti-disco backlash, Frankie Crocker, an influential New York City disc jockey warned Ross that releasing the album in its original state would even lead to the end of her career.
Ross remixed the entire album, assisted by Motown engineer Russ Terrana, removing extended instrumental passages and speeding up the tracks’ tempos. The new mix also put Ross’ vocals front and center. The remixing of the master tapes and the re-recording of all Ross’ lead vocals were performed without the knowledge or approval of Rodgers and Edwards. When they were presented with the “official” version of Diana, the producers publicly objected and, at one point, even considered removing their names from the album’s list of credits. Motown and Ross persisted and the version released was Terrana’s smoother, more commercial mix of the album.
Rodgers and Edwards were contracted by Motown to produce a follow-up album, but, as Ross left the label, it was never created. Rodgers and Edwards sued Motown, unsuccessfully claiming that they were owed monies for creating & recording the original version of the album. In 1989, Rodgers and Ross collaborated on Workin’ Overtime(#3 US R&B), released upon Ross’ return to Motown. Edwards produced the 1984 single, “Telephone(#13 US R&B)”, from Ross’ “Swept Away” album, released the RCA record label.
Released in May 1980, the Diana album introduced Ross to a new generation of fans worldwide. Reaching number two on the Billboard 200 chart and number one on the Billboard Soul Albums Chart for 8 weeks, as well as yielding two top ten singles including the number-one single “Upside Down”, the album would sell over six million copies in the United States and be certified Platinum by the Recording Industry Association of America. In the UK it went Gold and spun off three successful singles; “Upside Down” (#2), “My Old Piano” (#5) and “I’m Coming Out” (#13). A fourth single, “Tenderness”, was also released in certain territories, reaching the top 40 in the Netherlands, and was later included on several greatest hits compilations. Some thirty years after its release diana remains Ross’ best-selling studio album to date having sold a total of over ten million copies worldwide.
Diana was one of four albums written and produced by Edwards and Rodgers in 1980, the other three being Sister Sledge’s Love Somebody Today, Sheila and B. Devotion’s King of the World including European hit single “Spacer”, and Chic’s fourth studio album Real People. Following the release of two more singles, the duet “Endless Love” with Lionel Richie and “It’s My Turn”, both worldwide hits, Ross left Motown and signed a then-record breaking $20 million recording deal with RCA Records. The first album for the label was 1981’s self-produced Why Do Fools Fall in Love, which went platinum and spawned two Top 10 hits in the US. Diana was remastered and released as a double CD in 2003 containing the original unremixed versions, together with a selection of other Motown dance tracks from the same period.
Track listing Original album All songs written by Bernard Edwards and Nile Rodgers. Side A “Upside Down” – 4:04 About this sound Listen (help·info) “Tenderness” – 3:52 “Friend to Friend” – 3:19 “I’m Coming Out” – 5:25 About this sound Listen
Side B “Have Fun (Again)” – 5:57 “My Old Piano” – 3:55 About this sound Listen “Now That You’re Gone” – 3:59 “Give Up” – 3:45
Note: The Canadian release on Quality Records places the tracks from side B on side A, and the tracks from side A on side B.
Deluxe Edition Disc one 9. “Upside Down” (Original Chic Mix) – 4:17 10. “Tenderness” (Original Chic Mix) – 5:10 11. “Friend to Friend” (Original Chic Mix) – 3:20 12. “I’m Coming Out” (Original Chic Mix) – 6:01 13. “Have Fun (Again)” (Original Chic Mix) – 7:09 14. “My Old Piano” (Original Chic Mix) – 4:52 15. “Now That You’re Gone” (Original Chic Mix) – 3:40 16. “Give Up” (Original Chic Mix) – 3:59 Tracks 9-16 previously unreleased
Disc two “Love Hangover” (Extended Alternate Mix) (McLeod, Sawyer) – 10:25 Previously unreleased mix. Original version appears on 1976 album Diana Ross “Your Love Is So Good for Me” (12-Inch Version) (Peterson) – 6:36 Previously unreleased. Original version appears on 1977 album Baby It’s Me “Top of the World” (Snow) – 3:09 From 1977 album Baby It’s Me “Lovin’, Livin’ and Givin'” (Ross album remix) (Davis, Stover) – 5:12 From 1978 album Ross. Original version appears on 1978 original motion picture soundtrack Thank God It’s Friday “What You Gave Me” (12-Inch Version) (Ashford, Simpson) – 6:08 Original version appears on 1978 album Ross “You Were the One” (Patterson, Wright) – 4:04 From 1978 album Ross “The Diana Ross & the Supremes Medley of Hits” (12-inch Mix) (Dozier, Holland, Holland) – 9:59 Originally released as 12″ single in 1977.
Re-released as 12″ and edited 7″ single in 1980 and 1981. “No One Gets the Prize/The Boss” (12-Inch Re-Edit) (Ashford, Simpson) – 9:41 Original versions appear on 1979 album The Boss “I Ain’t Been Licked” (12-inch Mix) (Ashford, Simpson) – 5:18 Original version appears on 1979 album The Boss “Fire Don’t Burn” (David, Holland, Holland) – 3:26 Previously unreleased recording, recorded 1975-1977. Proposed for inclusion on cancelled 1981 album Revelations “We Can Never Light That Old Flame Again” (Alternate Mix) (David, Holland, Holland) – 4:38 First released version was a non-album single in 1982, and was remixed by Berry Gordy and James Anthony Carmichael. The original mix featured here first appeared on a Diana Ross budget cassette in 1990. “You Build Me Up to Tear Me Down” (Holland, Holland, Miller) – 5:42 Previously unreleased recording, recorded 1975-1977.
Mixed in 1978 for possible inclusion on album Ross “Sweet Summertime Livin'” (Stover) – 4:25 Previously unreleased recording, recorded 1975-1977. Mixed in 1978 for possible inclusion on album Ross. Remixed in 1981 and proposed for inclusion on cancelled album Revelations
Personnel Alfa Anderson – vocals Fonzi Thornton – vocals Luci Martin – vocals Michelle Cobbs – vocals Bernard Edwards – bass guitar Nile Rodgers – guitar Tony Thompson – drums Andy Schwartz – keyboards Raymond Jones – keyboards Eddie Daniels – saxophone Meco Monardo – trombone Bob Milliken – trumpet Valerie Haywood (The Chic Strings) – strings Cheryl Hong (The Chic Strings) – strings Karen Milne (The Chic Strings) – strings Gene Orloff – conductor
Production Bernard Edwards – producer for Chic Organization Ltd. Nile Rodgers – producer for Chic Organization Ltd. Bob Clearmountain – engineer proposed side A; tracks 1-4 Bill Scheniman – engineer proposed side B; tracks 1-4 James Farber – engineer Neil Dorfsman – engineer Ralph Osborn – engineer Abdoulaye Soumare – assistant engineer Jeff Hendrickson – assistant engineer Lucy Laurie – assistant engineer Peter Robbins – assistant engineer Dennis King – mastering All songs originally recorded at Power Station in New York. Lead vocal re-recordings: Electric Lady, New York; Motown/Hitsville U.S.A. Studios, Hollywood, California. All songs originally mixed at: Power Station, New York. Remixed by Russ Terrana and Diana Ross at Artisan Sound Recorders, Hollywood, California. Mastered at Atlantic Studios, N.Y

Pattie Boyd: The Ultimate Trouphy!

patty

 

Patricia Anne “Pattie” Boyd (born 17 March 1944) is a model, photographer and author from the United Kingdom, best known as the first wife of both George Harrison and Eric Clapton. In August 2007, she published her autobiography Wonderful Tonight. Her photographs of Harrison and Clapton, titled Through the Eye of a Muse have been exhibited in Dublin, Sydney, Toronto, Moscow, London and throughout the United States.

Boyd was born on 17 March 1944, in Taunton, Somerset, and was the first child to Colin Ian Langdon Boyd, and Diana Frances Boyd (née Drysdale), who were married on 14 September 1942. The Boyds moved to West Lothian, Scotland where her brother Colin was born in 1946. The Boyd family moved to Guildford, Surrey, where her sister, Jenny Boyd was born in 1947.Boyd’s youngest sister, Paula, was born at Nakuru hospital, Kenya, in 1951.The Boyds lived in Nairobi, Kenya, from 1948 to 1953, after her father’s discharge from the Royal Air Force. Boyd’s parents divorced in 1952, and her mother married Robert Gaymer-Jones in February 1953, in Tanganyika (now Tanzania). The family returned to England where Boyd gained two half brothers, David J.B. (b. 1954) and Robert, Jr. (b. 1955).

Boyd attended Hazeldean School in Putney, the St Agnes and St Michael Convent Boarding School in East  Grinstead, and St Martha’s Convent in Hadley Wood, Hertfordshire (where she received three GCE O level passes in 1961). Boyd moved to London in 1962 and worked as a shampoo girl at Elizabeth Arden‘s salon, until a client who worked for a fashion magazine inspired her to begin work as a model.

Boyd began her fashion career in 1962, modelling in London, New York and Paris. She was photographed by David Bailey and Terence Donovan, and appeared on the cover of Vogue. Boyd appeared on the cover of the UK and Italian editions of Vogue magazine in 1969, with other popular models of the day, such as Twiggy, who based her early modelling appearance on Boyd. Boyd was asked by Gloria Stavers to write a column for 16 Magazine, and appeared in a TV commercial promoting Smith’s crisps. She was cast for A Hard Day’s Night, where she met George Harrison.

Boyd exhibited her photos of Harrison and Clapton, at the San Francisco Art Exchange on Valentine’s Day 2005, in a show entitled Through the Eye of a Muse. The exhibition appeared in San Francisco and London during 2006, and in La Jolla, California in 2008.Boyd’s photography was shown in Dublin and in Toronto in 2008 and at the Blender Gallery in Sydney, Australia and in Almaty, Kazakhstan in 2009 and 2010. Her exhibit “Yesterday and Today: The Beatles and Eric Clapton” was shown in Santa Catalina Island in California, and at the National Geographic Headquarters in Washington, DC in 2011.

In 2007 Boyd published her autobiography, which includes some of her photographs, titled Wonderful Today in the UK; in the US it was published with the title Wonderful Tonight: George Harrison, Eric Clapton, and Me. In the United States, Boyd’s book debuted at the top of the New York Times Best Seller list.

1964, Boyd met Harrison during the filming of A Hard Day’s Night, in which she was cast as a schoolgirl.[12][23] Her only line in the film was asking “Prisoners?”, but she later appeared in the “I Should Have Known Better” segment. Boyd was “semi-engaged” to photographer Eric Swayne at the time, thus declining a date proposal from Harrison. Several days later, after ending her relationship with Swayne, she went back to work on the film and Harrison asked her out on a date for a second time. The couple went to a private gentlemen’s club called the Garrick Club, chaperoned by the Beatles’ manager, Brian Epstein. According to Boyd, one of the first things Harrison said to her on the film set was: “Will you marry me? Well, if you won’t marry me, will you have dinner with me tonight?”

Boyd had her first encounter with LSD in early 1965 when the couple’s dentist, John Riley, secretly laced her coffee with the drug during a dinner party at his home.[As she was getting ready to leave with Harrison, John and Cynthia Lennon, Riley told them that he had spiked their drinks and tried to convince them to stay.Outside, Boyd was in an agitated state from the drug and threatened to break a store window, but Harrison pulled her away. Later, when Boyd and her group were in an elevator on their way up to the Ad Lib club, they mistakenly believed it was on fire.

Later that year, Boyd moved into Kinfauns with Harrison.The couple were engaged on 25 December 1965, and married on 21 January 1966, in a ceremony at a registry office in Ashley Road, Epsom, with Paul McCartney as best man. Later, the couple went on a honeymoon in Barbados. In September, Boyd flew with Harrison to Bombay to visit sitar virtuoso Ravi Shankar, before returning to London on 23 October 1966. The following year, Boyd attended the Our World broadcast of “All You Need Is Love“.

Through her interest in Eastern mysticism and her membership in the Spiritual Regeneration Movement, she inspired all four Beatles to meet the Indian mystic Maharishi Mahesh Yogi in London on 24 August 1967, which resulted in a visit to the Maharishi’s seminar in Bangor, the following day. Boyd accompanied Harrison on the Beatles’ visit to the Maharishi’s ashram in Rishikesh, India, in February 1968.In March 1970, Boyd moved with Harrison from Kinfauns to Friar Park, a Victorian neo-Gothic mansion, in Henley-on-Thames.

In 1973, Boyd’s marriage to Harrison began to fail and she had an affair with Faces guitarist Ronnie Wood. She separated from Harrison in 1974 and their divorce was finalised on 9 June 1977.Boyd said her decision to end their marriage and leave Harrison was based largely on his repeated infidelities, culminating in an affair with Ringo Starr‘s wife Maureen, which Boyd called “the final straw”. Boyd characterised the last year of her marriage as “fuelled by alcohol and cocaine”, and claimed “George used coke excessively, and I think it changed him … it froze his emotions and hardened his heart.”According to Boyd, Harrison’s songs “I Need You” and “Something” were written for her.

Marriage to Eric Clapton

In the late 1960s, Clapton and Harrison became close friends, and began writing and recording music together. At this time Clapton fell in love with Boyd.His 1970 album with Derek and the Dominos, Layla and Other Assorted Love Songs, was written to proclaim his love for her, particularly the hit song “Layla“.When Boyd rebuffed his advances late that year, Clapton descended into heroin addiction and self-imposed exile for three years. Boyd moved in with Clapton and married him in 1979

. Her struggles within the marriage were masked by her public image with Clapton. Although Boyd drank and admits to past drug use, she never became an alcoholic or a drug addict like Clapton did. Boyd left Clapton in September 1984, and divorced him in 1988. Her stated reasons were Clapton’s years of alcoholism, as well as his numerous affairs including one with Italian model Lory Del Santo. In 1989, her divorce was granted on the grounds of “infidelity and unreasonable behaviour”.Boyd believes she was the inspiration for the songs: “Bell Bottom Blues” and “Wonderful Tonight“.

 

 

 

Vintage Black Glamour: By Nichelle Gainer

 

black glamour#2

 

I want to thank everyone who has expressed interest in my book and, at long last, I am happy to give you some book news! The book is scheduled to be published in Spring 2014 and starting today, you can visit vintageblackglamourBOOK.com and …register your interest in the book.

Registering is different from pre-ordering (available starting early February). My publisher, Rocket 88 an imprint of London-based Essential Works, has created this website to establish the level in interest in the book. After you register you will be contacted by email in early 2014 with further details about the book and, if you wish, you may pre-order the book at that time. Once again, thank you so much! More links are in the comment section ~ Nichelle Gainer http://vintageblackglamourbook.com/

Vintage Black Glamour by Nichelle Gainer (Spring 2014, Essential Works/Rocket 88 books). http://bit.ly/VBGbook
Description.

Vintage Black Glamour is a forthcoming book (Spring 2014, Essential Works/Rocket 88 Books) and visual tribute to some of the glamorous, accomplished and often groundbreaking black women – legendary and obscure – of the 20th century.

The Game:Kelly Pitts is Back!

1532148_674983335887146_205903833_n

On March 4 ——– ‪#‎KellysBack‬ ‪#‎TheGameBET‬ only on Black Entertainment Television

 

 

 

Tracee Ellis Ross: RUMP SHAKER!

1511158_10152201946267193_663435232_n
I’m not the type to post booty pics…I love my body but I try not to objectify it! But today I wanna…so I made a damn collage! The pic on the right made me n…auseous the first time I saw it. I thought my face looked crazy  but the pic is always popping up somewhere so I’m embracing it…crazy eyes, bra bulge and all!!! ‪#‎IWokeUpLikeThis‬ ‪#‎FeelingFrisky‬ ‪#‎Freedom2014‬

High Priced Escort: $20,000 a night!

imagesXRU24TF7

 

They have supermodel looks, an athlete’s stamina, the social skills of a diplomat — and sleep with the world’s wealthiest men. In the current Tatler Charlotte Edwardes meets London’s ‘top girls’

Dark red, you know the one, like blood. I forget the name. Anyway, he wants that on your toes. Light-pink manicure — fresh, innocent. So what’s next? Underwear, yes. He wants you in La Perla, off-white. Corsetry. Nothing whorish.”

Lauren [not her real name], 31, is mimicking her madam, putting on a breathy Parisian accent. “He’s a nice guy, veeery discreet. Remember: act like you know him. Packing, let’s see: a cocktail dress — black — whips, lube…”

She laughs, returning to her own voice, which has a faint Scandinavian lilt. “And that was my life for 10 years. I was  a high-class hooker. Call me a courtesan, call girl, escort, whatever. Basically I was a hooker. Just very well paid.” She looks at her ring, an enormous pear-shaped diamond. “Very well paid.”

There is an enduring fascination with illicit sex in high places. Perhaps it’s the access to some of the world’s richest, most powerful men, the secrets, the scandal, and, of course, the sexual prowess of these girls, which is riveting to us all.

Hollywood sirens like Marilyn Monroe (who made ****ographic films in her early career) and Joan Crawford (who worked in a strip club) reportedly sold sex too. And there was a media scramble to unmask the blogging call girl Belle de Jour (eventually revealed as Dr Brooke Magnanti), who was trading sex while studying for a PhD. She took her alluring nom de plume from the French novel of 1928, made into a film with Catherine Deneuve in 1967.

On condition of anonymity (“I don’t want my legs broken”), Lauren has agreed to talk about her life as a high-class prostitute. She earned £20,000 a night at her peak and £40,000 for a weekend.

“No one earns that money now,” she says. “Prices have gone down in the last five years. Changing times. My clients were on the Forbes list. Men who owned private islands, who were huge in property, international industry and oil. I’ve had dinner with royalty and major politicians. If you knew who! These clients were powerful, powerful men.’

Aristocrats? “No. They don’t pay. It’s new money. Having a hooker for them is nothing — like having butter on their bread. Sometimes their wives knew and turned a blind eye, sometimes they didn’t know.”

We are drinking tea in Lauren’s house in Chelsea. She lives with her husband, who was not a client — “I got lucky” — and who disapproves of her talking about her past.

She says her look — extraordinary pale hair, gas-blue eyes, peachy skin — was “the look everyone wanted. They don’t want skinny models, they want a little bit of …” she plumps her neat cleavage … “but nothing fake. No fake boobs, nails or eyelashes.”

Like others girls in her earnings bracket, Lauren is clever. She speaks Swedish, French and English. She used to read the Financial Times and The Economist to stay abreast of world events, as well as fashion magazines.

‘These clients want someone who can hold a conversation at a cocktail party or dinner — as well as everything else.”

Lauren says there are two major madams in London now, and they supply girls all over Europe and to the US. One is English — “big woman. Looks like a frog”. Lauren’s was French — “in her fifties, very elegant”.

She lives in north-west London and has dominated the industry for 20 years. She has “the best girls. They are seriously beautiful”.

How does her madam recruit? “She has people who work like model scouts, trawling clubs and bars and parties. And girls find her. Mostly they are models, strippers or dancers. Or students. They are smart and pretty. There are young actresses too. Sometimes recognisable faces.”

Lauren’s madam worked with a man who was “friendly with all the top model agencies. He’d pretend to be a Saudi prince and sleep with models. Then he’d tell them they could earn £10,000 a night and they’d say, ‘Oh really? Here’s my number’.”

At other times, he might proposition a pretty girl by offering large amounts of money for sex. “Ninety-nine per cent of the time she’ll tell him where to go. But the seed is planted. Next time she sees him, she might say, ‘Okay, tell me more’.”

Her madam would ask this same male friend to “test out” new girls. “He would report back and say, ‘She did this, she did that, she was good. I’d put her in the top bracket’. Or he’d say, ‘She’s a bit mediocre, so she might be a £1,000-a-night job as opposed to a £10,000’. There’s also a place in Paris she sends top girls to learn about sex — all the tricks. Paris is unbelievable for that stuff.”

Are the girls nervous? She laughs. “You can’t have nerves! These girls are tough. And there’s a numbness — it’s work. We don’t care about clients.”

Today, many of the girls are from Russia or Eastern Europe, she says, but others are from “all over — America, Brazil, South Africa, the Far East”.

The madam has around 100 girls on her books. “The very least you’ll be paying is £1,000 a night — those are the get-’em-in, get-’em-out service girls.” They’re booked for events like weekend shoots, or to sit in a nightclub making some sleazy guy look good. The mid-range are the majority — £5,000 a night upwards. Most of the mid-range guys aren’t mega-mega — they’re wealthy-banker league.”

Girls are sent “to etiquette classes, to learn how to sit, eat, which knife, fork, which glass for the white, for the red. It can’t be obvious to the other dinner guests that she’s a prostitute”.

She tells of a girl from a fabulous background who fell in love with a client. “He left his wife and three children for her.” Do many girls marry out of the game? “Not as many as you’d think,” she says. “It’s not Pretty Woman. But then again, a lot of society women started out this way.”

So what makes a £10,000–£20,000 girl? “Looks and training. We were professionals. We’d need to be funny, a laugh, party all night. Or cool and clever, discreet and well-mannered. You could never be fazed by power or money — or what you were asked to do.”

She says the top girls are “healthy”. “They go to the gym. They don’t do drugs, smoke or drink. Sometimes you’re up all night, so you need to look after yourself.”

The top 10 are “champion racehorses”. Others are “more hard-wearing”. “An absolutely stunning girl might not be so bright, or her English isn’t good. She’ll go to Arab clients. They want a beautiful girl they can lock in a room and bang, bang, bang.” She pauses. “But they pay well.”

Does that mean other clients treat girls well? “Yes, but…” She takes a deep breath. “A lot of these guys are seriously f***ed up. Their wives don’t do what they want. No woman in her sane mind would do half of it.”

She remembers being put in “an exceptionally expensive outfit so that the client could urinate on it”. One European royal “who has hookers all the time” is so rough that Lauren’s madam refuses to send her best girls. A famous film director offered to make Lauren famous “if I didn’t use a condom”. She refused.

“One guy — you definitely know his name — wanted to be a baby girl dressed as a ballerina. We had to smack him and put things up his bum.”

In addition to her fees (which were paid to the madam — “no money changes hands with the girl”), clients would take her shopping. “Getting jewellery is key. That’s an investment. The girls are big savers — they don’t spend their own money. If they start young — 18 is a good age — and do 10 to 12 years of hard work, they’re made.”

Retirement age is usually 28, “latest 30. They need to earn enough to put away for their future”. Lauren invested in property.

She says there’s an upper echelon of exclusive prostitutes who charge a premium for their celebrity. Lauren cites six, including a former Victoria’s Secret model who charged £25,000 an hour.

Through Lauren I meet Anna [not her real name], 24, who is still working as a prostitute. She wears Isabel Marant and Chanel. She’s braless under her white T-shirt but it doesn’t look tarty. She’s the kind of girl you might see hoicking her modelling portfolio around Paris.

She remembers the “cheap fake-fur coat” she was wearing when she stepped off the plane five years ago from Russia. Her modelling career failed because “there were a million girls like me at the agency. I couldn’t earn proper money”.

Anna refuses to discuss her madam but says she was introduced by another model. She’s been taken to Wimbledon, the Serpentine Party, Ibiza, Monaco and the Frieze Art Fair. Most of her clients are financiers — “hedge funders, CEOs, rich businessmen. I can make £5,000 a night. Sometimes £10,000 or £15,000 for a weekend.”

Clients want “everyone to think they’re going out with a model”.

“They don’t want you to dress like a hooker. You need to look natural. Don’t dress like their wives,” she smiles. “Although most of their wives try to dress like us.”

I ask Anna how she sees her future. “Maybe I’ll marry a rich man,” she says. “If not, I’ll start my own business.” Does she think she’ll ever fall in love? Have children? Have a normal life? “Maybe. I hope.” She shrugs. “It’s hard to think about it. Right now, I just want to make money.”

http://www.standard.co.uk/lifestyle/…r-9041116.html

Being Mary Jane: January 7th 2014!

1504995_10151780153070404_1288913216_n
IT’S NEW YEAR’S EVE! —-> SHARE this post if your ‪#‎NewYearsResolution‬ is to watch ‪#‎BeingMaryJane‬ every Tuesday at 10P/9C starting January 7th For those …of you who can’t wait, check out how you can view cast and special behind-the-scenes footage here: http://bet.us/1k4gkwc In the comments below, tell us why Being Mary Jane will be at the top of your must-watch TV list for 2014!

TLC:”No Clothes”!

 

184629276-1383766555Former teen queen Miley Cyrus caused quite a stir when she stripped down to her skivvies and twerked on a teddy bear at the 2013 VMAs. They grow up so fast, don’t they? Unfortunately, not everyone is on board with Hannah Montana’s racy coming-of-age style — including Tionne “T-boz” Watkins and Rozanda “Chilli” Thomas of TLC.

“A lot of females are pushing the sexy envelope now because they see it gets them attention. “Miley is a bigger deal because she came from Disney,” T-Boz told In Touch. “We had a way of being sexy without showing all our goody-goodies. We proved you could be successful by keeping your clothes on!”

Amen, sister friend! While the ladies of TLC certainly pushed the boundaries with their socially-conscious song lyrics and sexy midriff-baring outfits, they always kept it classy. In fact, their message was pretty empowering when you think about it. They promoted safe sex, rapped about believing in yourself, and refused to let anyone make them feel “unpretty.”

Nowadays, T-boz and Chilli are busy recording a new album, including their new song “Meant to Be,” which features footage of the late Lisa “Left Eye” Lopes in the video. Additionally, T-boz and Chilli were both executive producers on VH1’s biopic CrazySexyCool, which highlights the group’s rise to fame and simultaneous financial downfall.

“There’s nothing fake about TLC,” T-boz continues. “We didn’t want to give that false sense of glitz and glamour about the business. We wanted people to know the reality of what we were living. We wanted to tell the truth: You can sell a lot of records and do a lot of things — and you’re in the poor house!”

Hopefully these ladies can use their voices not only to inspire a new generation of up-and-coming female artists, but also to encourage them to stay true to themselves. And cue “Waterfalls.”

Do you agree with TLC, or are they being too critical of Miley? Weigh in below.

Source: In Touch

Beyonce:Sydney- Halloween Edition ;-)

1001439_10153466611755601_53599253_n

This website content was created with the help of Ultimate Tinymce!

%d bloggers like this: